Strangers

Karin Performing with Clothspins

Photo by Rachel Leah Blumenthal

I do not know where I am from. Scottish moors, French and Canadian soil, Mohawk territory, mutt lands from vague corners of the world nestled closely together, and sometimes not… Maine. That magical mystical place where whispering bugs and the voices of trees unfold every secret I needed to know growing up. Part California by genetics: one bone is arguing about the primordial taste of stone fruits, and keeps reusable cloth menstrual pads about. I am a Pagan Savant, invoked in childhood as I lay full body draped on top of Earth and long warm grasses in summer. I knew hugeness in my chest, felt private and quiet and giggled softly at the secrets between my fluttering feelings and the soil, heat kissing my back and neck, my first unicorn experience. I am from my Mother, and her Mother before, and Hers, mixed in are men and Others covered up by the lies of papered identity I’ll never really know better than. These Others I come direct line down from too. Mixed in are the stories of Father, which sculpt the sand of my shape into walls, boundaries of flesh for my blood to flow through and around. Rumors abound that connection to this archetypal animation are real, but I don’t believe in Fathers. (Somewhere a game of chess just ended in stalemate. Clapping won’t resuscitate…) It’s like Tug ‘o War ropes knotted at center but far from fairly played, or plastic cups tethered with string, vibrating nonsense for the distance and corners in between. The space between myself and any other body holds a certain tension until it breaks. With no other end reining me in, I begin the bittersweet sad/angry shuffle of moving on.

I don’t know where I am from — all these photographs in boxes, tongues spoken, lullabies remembered, movements copied, and stories conjured in the dark — but I know where I am going. Like the rising of the Sun on a perfect morning, I was created to connect with you; to embrace what you hand over; to hold hope in the form of listening. Each time the magnetic pull of our bodies cement with dilated pupil, curled lips, and quick thoughts tumbling around and over each other, I am the Sun in this room warming your Earth. Our offspring are ideas grown from the heat and intensity of electric arcing ways. One outstretched hand meets prick-painful half startling jolt with another. We both jump, yet it is the overjoying wash of adrenaline from pain that piques interest to begin with. It cannot be denied — though excited lubrication, intrigue, passion, and monstrous desire thrive, there too lies sadomasochistic thrill — the realistic expectation not forever to hang about. We will create voraciously for a time and then divide. Each divorce a different story; riding similar emotional lines. I’ve grown studied on the path of infliction and healing, licking wounds through armor impenetrable, finding power within failure time and time again.

You see, only in opposition do I find myself at all; where I am.

Staring at the fairy tale mirror of forever, two-dimensional and far less physical than my three-dimensional navigations could ever have been. Standing on my side of things, I am still alive. In me, Sun-grown weeds overtake sculpted trajectory. My feral wilds, thorns protecting sweeter berries, articulated assassination of the norm darkening me within, all this in service to my perfectly natural instincts cultivated from anywhere-nowhere-everywhere: I am flesh and blood, sticky and not like. What impotent words have you for the wholeness that I am — estranged, stranger, strange.

Play On My Friends,
~ Karin

If you like my blog, please check out my Patreon Page and support me. For one time donations click here: Support the Artist

~Thank you.

Face

Photo by Jonathan Beckley

by Karin Webb

Have we forgotten this dance?

Years of understanding each other through online articles: stories about how fucked up this thing was, or how different that situation should’a been…

It’s hard not to wonder if when I see you whether or not I’ll stumble and fall, like those people the articles are about all did — and our friends agree how awful it was when stuff like that happened… What does that mean about possible future me?

Oxytocin can be harvested from the dilation of an eye’s pupil.

Can you dig that? By looking you squarely in the eye and smiling we can get high. I need you.

(But that’s inappropriate, and anyhow the back of my brain is addicted to another version of this game: how many people liked my last update?… I’ll just check it real quick now… now… now… … … … now.)

It’s easier than looking.

###

The shape of your mouth when it moves as if no one is watching (and I suspect no one has watched in awhile), is startling. It is an ode to inner conversations, conflicts, and held back feelings which run deep…

Your eyes, filling with everything, and silence all around clicking away, fingertips on screens, downturned heads, this room is filled with so many conversations not said out loud.

There are people here who aren’t present and can’t see the room we are in, will never regard this masterpiece of a quietly working you.

Hands filled with foot.

Your arms are real, your shape has dimension, you are full of strength and soft.

Love offers you up in silence,

A quiet moment of connection to another body.

Love, your body.

###

And I watch.

My pupils dilate.

Seeing and feeling you here,

Naked of screen,

Vulnerable dressed in flesh, meat and bones only,

No appendages, no other worldly conversations, no stimulation but “now” between your fingertips.

Your eyes, filling with everything, is a masterpiece I love more than anything.

I would sail the ocean and throw every electronic overboard to live here forever.

Watching you massage,

As you feel quietly,

In a room of people,

Where only I am watching.

Play On My Friends,
~ Karin

If you like my blog, please check out my Patreon Page and support me. For one time donations click here: Support the Artist

~Thank you.

Adult Playground

Still from “NO SHAME”. Photo by Jennifer Bennett

I’m in the middle of an East Coast tour performing my solo show, NO SHAME, I’m appearing in a few other shows, and teaching workshops along the way to help pay for food, gas and expenses. Like this blog, my message across mediums is about finding and owning one’s self. NO SHAME is a shapeshifting half-hour event where I tackle stereotypes, the metamorphosis of one’s character and identity over time, what it’s like to be institutionally afraid to be out in the world, and the intersection of these experiences with the power of thought and the force one’s words. The piece is essentially about the will to be.

Today more than any time in my life I think, the words that we dare to use, artist’s messages from all over, having conversations about taboo subjects, and the willingness of individuals to claim their space and speak up against oppression, against repression, and against the narrowing of ideas into boxes easily manipulated and controlled by the elite (political and/or wealthy), are enormously important. We must feed ourselves, as we would be further starved by the system. Continuing to gather reliable and objective intelligence, community building through acknowledgement of need and actioning to provide, choosing observation and action over despair or overwhelm, cultivating openness to new and different POVs, and the use of questioning instead of attack: these are tools for change, vital in this historical moment we are sinking into like the swamp of sadness… We must move our blood. We must speak, exercise, be!

I am teaching workshops in kink skills — a smattering of rope classes, my “Radical Gender Theater” curriculum, and an intro to various types of kink play pertaining to sensation manipulation. I’ve had the pleasure of teaching groups as well as privates; the classes are meant to empower people to better communicate with one another, and help navigate through the vulnerability that desire requires through fun, curiosity, challenge, and skilled playfulness. This “adult playground” we have matured into having control over (our bodies, emotions, and minds), is a gift we get only one chance to live well within.

Human animals are capable of far more than we recognise or are taught. Having been enculturated as a female person, and eventually finding kink — rough body play, needles, bites, whip marks, and scratches — has proven to me over and over again that my body is resilient and capable of processing pain and healing from damaging activity in a way my perceived gender is institutionally protected from finding or knowing. Having been surrounded by the sensitivities and open expression of emotions, pains, fears, and lostness of those enculturated within the masculine lie proves to me too that us animals are whole underneath. It is the powers that be, not the world which would have us be lesser than our true potential strengths and understandings.

I love my art. I love my audience and my students. When I act out or speak up, I learn so much about what people see and feel in response. I want to be an affecting force. I want to help people reach their inner truths and desires against the powers that be. I want to exercise this animal body, this universal intellect, this natural heart to their purposes while I live.

Play On My Friends,
~ Karin

If you like my blog, please check out my Patreon Page and support me. For one time donations click here: Support the Artist

~Thank you.

Age Verification: www.ABCsOfKink.com addresses adult sensual and sexual information, including imagery associated with a wide variety of BDSM topics and themes. This website is available to readers who are 18+ (and/or of legal adult age within their districts). If you are 18+, please select the "Entry" button below. If you are not yet of adult age as defined by your country and state or province, please click the "Exit" link below. If you're under the age of consent, we recommend heading over to www.scarleteen.com — an awesome website, which is more appropriate to minors looking for information on these subjects. Thank you!