Denial of Little Things

I’ve spent the past week teaching myself code for excel so I can attempt building a database to organize contacts and session notes. I’m horrible at red tape, but I love building things. I have no idea where I keep the information for anything I do, and recently noticed about four journals, an unaccounted for number of emails and social media message boxes, and 15 spreadsheets where I’ve “started” taking notes. It’s definitely time to take this project by the teeth and write. Code. For myself. It seems I never do things the easy way…

I won’t lie, this is also a point of pride. It feels good to know that I can fend for myself and I don’t need other people to survive. It’s a tactic I’ve garnered after an entire lifetime of not being able to simply afford buying the thing or hiring the person to do it for me. My house is tidy and clean, my websites were built by me (which is also the reason they never get redesigned or updated unfortunately), and I have a very disparate set of skills in my back pocket, which I can apply wherever I must when the time comes to whip them about. The amount of time I spend learning brand new skills and making a few examples of each new thing, accounts for a high percentage of my existence. This is also something which defines my artistry, for which I’m proud. On the other hand, the soft gooey sloopy slimy skiddish kitten inside of me—the personal face of who I am—is not the face people outside of me look upon. Other people see results instead of struggle, mess, and obsessive weeks of research, try-and-fail build and rebuild throughout frustration, gestation, dreaming, and eventual success. The amount of times people have given me the feedback that I’m intimidating, unemotional, that I don’t seem to need people, or that I’m unaccessible is shocking and frankly saddening to me, perhaps also a bit isolating.

So, what does a hardened professional with all the skills and none of the time left over do to unwind and find love at the end of the day when the soft gooey sloopy slimy skiddish kitten needs to come out and play? Honestly it doesn’t happen as often as I would like, but lately I’ve found a new kink clamoring for attention: being “little”. Yes, you read it right, this 40 year old BDSM skills teacher/Dom/sex ed coach/performance artist likes to throw on a onesie and snuggle close with someone excited to step in and be Mommy/Daddy/Caretaker/Big to me.

Everyone needs balance and mine right now heralds time for nurturance. It’s also just plain fun. After a day of studying VBA and tearing my hair out because I didn’t realize one character in a page of code needed to be capitalized, or fulfilling other peoples fantasies, or being psychologically and emotionally focused on supporting and encouraging others, I need silliness! Who doesn’t want to dress up in a tutu and get treated to the movies, or lay on a carpet and color for an afternoon, or be given a bath, or be told what to do (especially if it’s what you already wanted to do anyway), or be seduced in a completely perverted fashion (well, that last one I suppose is a matter of taste, and I joyfully pervert my time away with trusted pervert friends whenever I can).

Why am I writing about this today? It’s not the academic, nor the poetic fodder from which my usual offerings are made. I’m writing about this because I think it’s important and beautiful to be diverse in our endeavors. It’s a blessing to be full of life and willing to try new expressions which are inconsistent with our canon when the intrigue comes around. It’s an opportunity for growth to try a thing on for our own amusement or assessment, which I absolutely champion. I think it is far too common in today’s binary-enforced society to hold the phrase “no, not I” forefront as if the face-mask of a costume which defines one’s reality, rather than in the back pocket waiting for actual need to arise. Where is our collective sense of “yes, and”—or even, “I dunno, I’ll try”?

Shame is the yet unnamed villain contained within the story of my writing. Shame shuts people down and keeps us holed up inside, afraid to move into new territory or revisit old failures armed with new information. Shame whispers that we definitely should not, even when we have opportunity and understanding surrounding us. Shame convinces our brains that there is no circle of friends who would entertain saying “let me help you” to the questions we have. Shame dresses us in monotone instead of vibrantly colored self-assurance, and takes away our toys as if life were never meant for play.

I realize that within my desire to experience and try on being little I’ve held onto the safety of isolation and the story of self-sufficiency for too long. I haven’t put myself out there to my communities to ask for help. I seem to have lost track of the key which secures this “do-it-all-myself” persona/mask to my face. I’ve gone to lengths to cover up my own inner desires—even as I champion others’. This is a story highlighting the importance of paying attention to exactly how we deny ourselves or fail to engage in forms of self love and much needed care. It doesn’t serve anyone to deny joy in the name of self judgement and shame—that we judge ourselves harshly may be a major reason we judge others harshly too, producing an ever increasing fear of judgement. The answer to breaking that feedback loop can often be found deep in the bowels of self acceptance.

Today I encourage you to step out and play. Try the thing on. Make friends. Consensually and safely bury yourself in that new activity you’ve had your eye on simply for the reason that it feels good and somehow fills your mind, heart, spirit, or body with release and joy. Don’t question yourself over and over about “why” until you give the thing up. Find a reasonably safe way to try…

In ending, does this mean I don’t derive pleasure, empowerment, joy, and satisfaction from my position as Power Sex Geek Artist? Absolutely not. Though I desire time to be a cared for little thing, I don’t endeavor to be a smaller Creature than I am fit to be. I am even larger when I can be little when I need.

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thank you.

Creativity and Gaining Consent

I came across this question recently, and it’s a question I’ve been asked before. It points to the complexity of gaining consent while acknowledging that there’s more to a scene than knowing everything that’s going to occur beforehand. I enjoy the way the questioner shared his thoughts, and his openness about wanting both creative license and responsibility toward his partner by gaining proper consent. Following is his inquiry and my response.

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I do not want to violate consent and I want to present ideas during negotiations like a good playmate. However, there are some actions which in my mind would probably have more sadistic impact if they were brought up during play and lose some of the shock-and-awe impact if discussed ahead of time. Of course consent would still need to be given when presented, but the ability to give consent during the scene is compromised because of headspace.

For example, if I were to tell a playmate that halfway during the scene I was going to dress up like an alien, abduct them, and examine them, the shock and awe of it would be minimized and I might get a reduced impact when I engaged the hydrophylic-multi-probe.

However could I get consent to that ahead of time anyways?

I think though, my gut is telling me that surprises like that are not good to pop up in the middle of the scene, because of possible past abduction triggers and the such.

So, how do I present abstract ideas in a way that won’t wreck the experience? Do I try and say as little as possible, like, “hey girl, you into alien abduction and examinations” and leave it at that? I’m just worried it would take the spice out of it, and she be like, “damn, why didn’t you just do it instead of telling me first because now I expect it and it ain’t going to be any fun “Marvin”, and then she silently googles alien abductions to make sure I do it right.

Thoughts about losing sadistic shock and awe by discussing abstract actions during negotiations?  ~Alien Invader

Dear Alien Invader: What you’re going for is definitely more complex than a sadistic spanking, flogger scene, or even needle play. Your gut is right: you will need varied permissions to achieve consent for something this involved. There are a few ways to achieve what you desire, and I think breaking your scene down into its parts is a good strategy for negotiation. By doing this you’ll also get a better feel for what will and won’t fly with your partner without having to lay your plans completely bare.

If you’re negotiating with a regular play partner you’ll have a different approach and conversation during negotiation than with someone you’re doing pick-up play with. I’m going to answer your question assuming you have some time to discuss what you want—somewhere in between.

First, consider breaking your scene into its parts for conversation geared toward those parts. Keep an eye toward the physical, emotional, and psychological effects the whole of this scene may trigger as you do this. Off the top of my head I’d include conversations about:

  • Abduction: Abduction is a big subject in and of itself. Are you thinking of just an in-scene abduction, moving from the kitchen to the living room while your partner is blindfolded, or are you throwing your partner into the back of an unmarked van as they exit the grocery store on chore day? Obviously one of these scenarios is MUCH more involved and will require even further breakdowns… Keep in mind too that if you have a desire (or the need) for anyone else to be involved, it’s important to clear each person with your partner and to know to what extent they are allowed to interact sensually, sexually, sadistically, etc. in a scene.
  • Dominant Archetypes: Does your partner have an interest in or aversion to particular Dominant characters? Does she get really excited about melodramatic horror movie villains but hate masks and non-verbal looming-types? What kinds of characters are exciting to her, and what characters are triggering? If you make a list of over-the-top characters, you can see if she circles “Aliens” as good to go.
  • Role Play: Does she like role play in general? Is she intrigued by the idea of being someone’s patient? What are her feeling about medical play and otherworldly Doctors or scientists? Are there scenarios she’s absolutely into the idea of which might parallel your alien invasion dynamic that you could discuss? Role play can be tricky for people. Not everyone wants to “play their part” in scene. If you want to be treated as the Alien you’re playing because otherwise you know you’ll lose your interest or confidence in what you’re doing, it’s good to clear role play as an area of interest in general, and know what types of needs you both might have around slipping into and out of character. That way you both know what’s expected of you when someone starts speaking in tongues and dons their lab coat…
  • Probing and Orifice Penetration: This is probably obvious, but negotiating sexual and sensual touch is basic and still really important. Not everyone is ok with their body being used and abused similarly. Not everyone enjoys sex, penetration, or even genital stimulation involved with their kink. Some people are totally fine with fingers and cocks coming in and out of holes, but not toys. Sometimes everything is on the table except fellatio. Sometimes the person is good to go as long as condoms or other barriers cover anything touching mucus membranes… Make sure that before you penetrate someone’s body that you know what you’re doing and how you’re doing it is on their “green” list. In your particular scene I assume you’ll probably want to clear medical tools and toys along with any bio-bits you intend to use. This is an awesome time to discuss STIs, pregnancy risks, and overall sexual health and interests if you haven’t already.
  • Costumes: This may seem silly to clear with your partner, but some people get very disoriented when they don’t recognize their partner because of how they’re moving, what they’re wearing, or even how they sound or smell. This could cause your scene to take a bad turn quickly. Masks are a common enough turn off, the textures of various materials, even an inadvertent association with what you’re wearing with a past memory. Sometimes a human mask will elicit a better or worse response than an animal mask or fantasy face. Everyone has different associations with “the other”.
  • Toys: Consider the toys and tools you’d like to use in your scene. Consider those elements as negotiation points. If you don’t want to focus on your exact line-up of objects, include them in a longer list and have your partner circle the ones they like, cross off the ones they don’t like, and you can check in about the ones that have been left unmarked.

Each one of these checkpoints (plus whatever other ones you feel are appropriate) represents a conversation you’ll want to have prior to sceneing. When you bring all the pieces together there should still be surprises and you have your bases covered. There’s no replacement for getting to know someone well and playing with them a lot over time, however even people you know like the back of your hand still need check-ins and updates concerning their interests and limits. The more trust and knowledge there is built up between you and your partner, the better you’ll be able to navigate which surprises are fun and which are potential disasters.

I will also note that whether a scene comes off as a total surprise or has expected elements contained within it, it’s the scene itself and experiencing these moments together that’s the real magic and joy of play.

The last thing I’ll mention is that asking how your partner feels about surprises in general matters in this instance too. If they love knowing less about what’s going to happen, you can negotiate boundaries around what they do and don’t want during a surprise encounter. If they hate surprises, well, that’s a clear indication you should outline the scenario you have in mind and spitball the details with them.

When it comes to playtime the worst-case scenario for a well negotiated scene (outside of harm or injury of any kind) is that your partner calls red and you engage in whatever aftercare is needed while learning to negotiate even better with that person in the future. Nothing is certain, but by being respectful, responsible, attentive, communicating well, and continuing to be trustworthy you’ll find you can weather mishaps much more effectively than if you operate under the assumption that you know best. You may even be creatively inspired by the conversations you have with your partner, and end up adding ideas you wouldn’t have had otherwise. Good luck in your play!

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thank you.

The Privilege of an Orientation

I had the opportunity to visit a few of my favorite intentional communities in the week leading up to New Years Day: Compersia in Washington DC, and Twin Oaks and Cambia (with visits from Acorn residents) in Virginia. I enjoyed museum visits, miles and miles of tandem bike riding, I helped set up a hillbilly hot tub in the mud, rain, and cold New Year’s Eve day, enjoyed a fabulous New Years Eve Party, saw old friends and made new ones, drank at a literal “speakeasy mini bar” (think puppet sized craft cocktails down a cellar crawl-hole accessible only by password), and I had the opportunity to teach a couple of my favorite workshops to top it all off. I joyfully led “Gender Exploration” and “Play Piercing/Needle Play” classes. It was a perfect week to top off 2018 and move into 2019!

I enjoy bringing my workshops to intentional community groups. There’s a level of engagement I find in these spaces that’s different elsewhere. I like the often multi-generational representation within my audience and a wider set of opinions populating these spaces. This leads to layered conversations which are less common when I teach groups outside of community.

Engaging in these experiences offers me questioning. I question my own perspective and it gives me the opportunity to examine my curriculum from new vantage points. This time around was no different. Both workshops were different and wonderful in their own ways. The class I taught about sex and gender brought up conversations which helped me tie together some of the ideas within my own curriculum that I had yet to articulate as clearly as I was able to that day.

When I was young there hung a bumper sticker in my house: Question Authority. Not only is it good form to practice being the questioner, it helps one’s authorities better examine their own functionality.

When I teach about sex, gender, and identity I start by distinguishing between and defining sex characteristics (phenotypic, chromosomal, gonad development, hormone levels, and sexed brain development) versus gender identities (cis, trans, nonbinary, a-gender, etc…). We talk about identity as an emerging process, a changeable journey, and get into the differences between how we’re identified by others and how we identify ourselves. We also explore the differences between identity, orientation, behavior, and coping mechanisms. During this workshop I was able to speak to two concepts I’ve been speaking around-about for a while but had been unable to articulate to my satisfaction. What I came away with were the concepts that “sexual orientation is a privilege” and that “our obsession with other people’s genitals is absolutely a socially accepted (and generally non-consensually approached) fetish”. Today I’m writing about the first of these statements, you can read this blog about the second.

Sexual orientation is a privilege: I found myself making this claim during workshop discussion, and realized I absolutely believe it in numerous ways. Socially we’ve moved past the point of arguing that one has no control over who they are attracted to. That argument was helpful in the past to legitimize the minority status of those in LGBT communities. Now there’s pretty broad acceptance and scientific data supporting the notion that we’re not 100% “in control” of who we find attractive. Sexual chemistry is absolutely a condition of nature in combination with nurture.

It’s generally accepted that it’s as natural for a person to play with genitals that look like “a” as it is to play with ones that look like “b”, or “c”, and so on. When we speak of sexual orientation we’re talking about a complex list of factors influenced by public and private definitions, enacted behaviors, and a desire to control our own personal branding. For instance, a woman who is in a “monogamous” relationship with another woman may consider it not to be a breach of their monogamy to have occasional sexual interactions with men. This person’s behavior is that of a bisexual/pansexual person, though they retain their public identity as homosexual/lesbian based on their definitions of “which sexual behaviors count”. It’s that person’s privilege to identify outside of behavioral definitions in order to maintain the lifestyle or relationships she wishes to preserve.

Peering at identity on a larger scale, it’s dangerous for many people to publicly identify within sexual minority terms. Only those people who have the support, safety, or fortitude to voice their sexual desires, intrigues, and behaviors are entitled to an accurate and public sexual orientation. This privilege may be placed even further from reach when someone is part of multiple marginalized cultures or communities. That person may be less apt to claim their sexual behaviors and desires as an inherent part of their identity—one worth fighting for and claiming publicly—in order to remain safe or sufficiently supported within their communal circles.

On the other side of that coin, outside of marginalized communities, let’s look at the privileged people in this patriarchal culture. The sheer number of men who engage in brojobs, who are on the down low, or who lie about their history of same sex experiences is phenomenal. If a man identifies as straight and is on Grindr looking for hook-ups regularly, there’s something going on there that’s not simply about orientation. It could be about conformity and fear, but perhaps it’s also about maintenance of social privilege and the desire not to lose such. To hold onto one’s orientation as “straight” (privileged) regardless of the practice of taking on multi-sexed partners points to, in my mind, a maintenance of privilege over positively addressing the normalcy of variation within human sexuality for all.

If you are nonbinary identified, what does it even mean to be heterosexual or homosexual? As we move further into social acceptance and visibility of trans and intersex people, we must start asking ourselves how attached we are to our own identities in the face of partners who don’t fit sex or gender definitions we’ve used in the past.

It seems to me that the sexual orientation definitions we use frequently serve to maintain privilege and/or marginalize others. We have further to go in order to disengage the black and white binary thinking which bullies a person to be “in” or “out”. My hope is that as the lines which equate male with masculinity and female with femininity blur, that we will all become more free to explore, embrace, play, and fear less the urges and negotiations which bring us pleasure and joy.

I hope your year is going well thus far. I’m excited to engage in more writing, more teaching, more art, and more collaboration in 2019. Please consider supporting my writing and other artistic projects through my Patreon campaign.

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thank you.

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