Haunted by Medusa

“Medusa Casting Mischiefs”. Drawn by Creature Karin Webb

The following scripted performance was written collaboratively by Samantha Bryan and Creature Karin Webb. Is is meant to bring the story of Medusa into the light contemporarily. We both feel connected to her story, and it was important to us to create art in tribute of her, especially concerning today’s conversations referencing #MeToo.

About Medusa: Medusa was, in her early years, a ravishingly beautiful Temple Priestess for the goddess Athena. Medusa (there are varied interpretations about the level of consent involved) was raped by Poseidon, and so banished by Athena from service. Athena also punished Medusa by making her ugly, turning her hair into snakes, and cursing her so that anyone who looked upon her face would turn to stone. Time passed for Medusa in this form. Eventually Perseus came along. He beheaded Medusa, taking her head with him to use as a weapon. When he finished with this use of her head, he eventually gave it to Athena so that she could mount the head upon her shield. When Perseus beheads Medusa, from her neck is birthed the winged Pegasus and Chrysaor, a giant.

Our performance was a meditation on a combination of factors from Medusa’s story and from our own experiences. It was as much about how one’s reputation (fairly or not fairly evolved) pervasively informs how society treats one. It’s also about the way we evolve as individuals because of the things which have been done to us. Though Medusa dies she is not forgotten, her story lives on in many millions of women and other people marked by sexual violence, self-freed sexualities, and those who wrestle with the brutality of shame. This performance points to our innate connection with one another, and our potential to treat each other with regard or without. It asks how we might come to one another’s aid, empathize with each other, and care for those who are marked as “fallen”. Samantha and my performance pays respect to Medusa’s spirit, one which invoked much inspiration during our time at this past month’s artist retreat for The Scarlet Tongue Project.

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Haunted by Medusa
By Creature Karin Webb and Samantha Bryan

Written for performance in la Ciudad de México, as part of The Scarlet Tongue Project/La Lengua Roja
Performed September, 6, 2018 at Pulqueria los Insurgentes

Medusa (played by Creature Karin Webb) takes her place on a ledge above the crowd and haunts the performance space this night. Like a gargoyle she inhabits her corner of the club. Connecting with audience members silently, she encourages individuals to draw close, taking a moment with each one who dares come forward. She is a ghost of her former self, temple Priestess to Athena. Medusa now haunts this room, connecting with whomever is capable of looking back and offering themselves vulnerably to her. Dark, older, unclean, she has bright eyes and offers her gaze for reflection back to the audience members willing to approach. Each connection is a world unto itself.

A bowl filled with rose petals, each marked with the artist’s blood is by her side. They are gifts, playthings, to smell, and used as offering. Medusa, deflowered long ago, was cast from society. Today from her perch she watches, casting mischiefs to the crowd below. Rose petals rain from above during this connection, or forehead to forehead she offers her silent touch during that one…

At last an actor approaches, and Medusa hands this player a piece of chalk. The performer draws a circle in the center of the room. A third performer, the Scarlet Woman (played by Samantha Bryan), enters and dances her story within the circle. At the end of her dance, she removes her large wig and veil, gestures towards where Medusa watches, and she sets it on the floor. The Scarlet Woman, as in Death, lays down to final rest.

Medusa approaches the circle to care for this woman’s body. She brings a wash basin of warm water, a cloth, and sheet with her into the circle. Medusa respectfully removes the Scarlet Woman’s clothes and washes her, preparing her body for the earth, and covering the body with the sheet last. Medusa sits a moment in witness over the covered body, and then proceeds to walk to the edge of the circle. Medusa slowly follows its path. As she walks her body becomes older and more bent over. Slower, ever closer to the ground, she continues on, crawling the last segment of the circle until she is left crumpled and unmoving on the floor. As Medusa makes this final walk, losing her power, the woman’s body animates from underneath the cloth, beginning to rise. As Medusa becomes motionless, the woman has lifted herself to sitting, sheet cascading away from her body. She is alive.

Like sand, a stream of salt is poured from directly above Medusa’s body onto her motionless form. The sheet, fallen from the Scarlet Woman’s face, allows her to witnesses this end. The Scarlet Woman stands, gathering her things. She leaves the circle, freed.

FIN

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I’d love to hear your thoughts and questions. We hope to perform this, and other pieces we’ve created as part of The Scarlet Tongue Project, at venues everywhere. Please let me know if you’re interested in bringing performances, lectures, workshops, and/or Documentary footage from The Scarlet Tongue Project to a venue near you. Our performance is easily adaptable to any space, and we’re happy to book at colleges, theaters, meeting halls, galleries, abandoned factories, art houses, private homes, or any other venue which has interest in sharing the project with an audience. Help us bring further discussion of women, anger, and art to your community.

Play On My Friends,
~ Creature

Support my writing on Patreon. For one time Donations: Support the Artist or email.
This writing takes time, research, and consideration. It is my art. Thank you.

Respect My Name

Performance by Creature Karin Webb. Photo by Jonathan Beckley

Respect my Name
by Creature Karin Webb

Respect my name. Whatever that name may be.

We are not dancing on a planet which stands still. Neither shall our bodies, in time, resemble the form we enjoy today. Forever isn’t an affair meant for those who corporeally grow and decay.

So on this day respect my name.

Trust I know my name more intimately than you. I’ve struggled, bled upon a sword of vowels and consonants forged and tempered from vibrations which now might soothe, excite, bring joy, and make memory any aural or oral distaste. These articulations help me trust you better, drawing us close, should we desire. With no calm agreement about which syllables to use, these shifting etherial sounds freshly priming our shared space, I shan’t believe you’ll show respect when in a heightened state… and I want no bed with flippant cruelty.

Respect my name and I will do the same — no matter how many times we hand off introductions. Mistakes will be made, yet with acknowledged glances and efforting on, these problems fade. It is with you I wish to relate. Don’t deny my secret smile held within, grown strong from being seen.

Respect my name.

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Play On My Friends,
~ Creature

Support my writing on Patreon. For one time Donations: Support the Artist or email.
~This blog takes time, research, and consideration. It is also my art. Thank you.

Evolution and Responsibility

An example of frustration and fear, judgement, and ongoing abuse. [Karin Webb as “The Butler/Hamlet” and Mary Widow as “Ophelia”. Photo by Sarah Patterson]

Evolution is a reality that continues to matter throughout our lifetimes.

We’re always capable of working things out and moving on from where we’re at. It requires the art of listening, introspection, responsibility taking, and trying new methods of communication amidst familiar seeming data we’ve (historically) interpreted in one way rather than another or another. Evolution requires that we examine our stories from the past and question whatever meaning we’re making in the present moment, acknowledging that this, right now, is a new moment with a different combination of factors in play. How do we re-interpret what’s going on around us, reframe how we look at the particularities of this moment, and come to new, more effective articulations of behavior?

I think of that quote, often attributed to Einstein:

Insanity Is Doing the Same Thing Over and Over Again and Expecting Different Results

This sentiment can absolutely be applied to our behaviors and coping mechanisms, as well as to our reactions and choreographies. To reframe the quote, I offer, “If one would like a sane result, one must do things differently.” Too often we humans get stuck in internalized stories about our lives and those around us, and do not change our behaviors when we feel friction. This can lead to depression, malaise, destroyed friendships, and deteriorating communal ties. We all struggle with these things. We get older, times change, relationships change, we change, new methods of connecting with one another reign… Over and over again we learn to adapt or we become stuck.

I’ll use myself as an example. From a lifetime of observing my thoughts and feelings, I admit I frequently experience the feeling of being left out or flare-ups of the paranoia that no one likes me. I have described myself as a Vampire in the past, in that I need to be directly invited to participate in many events and activities to feel welcome or to muster the courage to attend. I could attach any number of actual stories from my past to support these fear-driven feelings, giving me a solid reason for feeling the way I feel and maintaining the fears and the blocks I have. I could refuse to show up for any activity where a person doesn’t directly ask me to participate. If I did that I wouldn’t show up at many events. The effect of this would be counter productive though. By not showing up at events I would receive fewer future invitations, as I’d have less opportunities to be asked out and I’d be remembered by fewer people in the public arena. The fewer events I participated in, leading to dwindling amounts of invitations, would lead to a flare-up of my isolation paranoia, which would cause me to go out even less… a self-sustaining cycle of merde, which does nothing to feed my need for socialization nor my desire to feel welcome and loved by my peers.

By holding onto the story of, “People will always ask me to be in a place if they desire my proximity”, I’m holding onto an idea which releases me from responsibility for the feelings I experience when I fear I’m being left out. Doubling down on this story as my solution to feeling isolated and unloved puts all responsibility squarely on other people to solve my emotional problems through their actions. This story gives me no voice, no power in solving my own problems, it requires no exploration of my feelings (because it’s always someone else’s fault), and therefore no responsibility is taken for the feelings I am experiencing. With this story I define myself squarely as a victim of other people’s actions and inactions. I define other people’s desires based on very particular actions and inactions thereby defining other people’s lives, actions, thoughts, and expressions as “all about me”, my fears and stories. I don’t have to do the work of acknowledging that other people are experiencing their own lives, and there’s an array of reasons for various actions and inactions (such as: they probably aren’t thinking specifically of me when they’re creating an invitation, or they forgot, or it’s a general invitation that I don’t need to be named to be welcome at, or they didn’t know it was an event I’d enjoy attending…). Instead of considering the vast array of options possible or simply asking “why”, I’ve constructed a universe where unless someone else takes the time to specifically approach me or makes an effort to gesture to me as an individual on my internalized terms, they are painted as someone who is actively devaluing me. This gives me incentive to act as badly as I feel, as if my feelings are the only truth. I have created a psychology where the world owe’s me, and I owe others nothing.

This is very unhealthy. A self-fulfilling prophesy. Narcissistic. Co-dependent. Depressing… and all too common.

When I experience this type of depression/paranoia or unhealthy shit-upon-thyself-ness I try to remember to examine myself for a minute and figure out what part of what’s happening is actually about me and which parts are actually question marks. This requires me to look into my feelings and sort them out. In the midst of my depression and fears, I must dare to ask myself, “How am I feeling right now, and what do I need?” The answer is usually to the toon of, “I’m feeling paranoid that my friends don’t value me, and afraid that they don’t actually like me or want me to be around. I would like to be invited out more often. I want to feel desired, loved, and a part of things”.

What a different conversation arises from these examinations! All of a sudden I have stated wants and goals I can work towards, and a series of questions I can ask others — should I feel so bold as to change my current experience. If there’s an event I’m afraid I wasn’t invited to on purpose, I can empower myself to approach the host and have a conversation about why. I can ask if I am indeed welcome, and I can ask if there was a reason I wasn’t invited — maybe it was an oversight, or there’s someone else going who they thought might have an awkward thing with me, or they weren’t done sending out invites yet, or they didn’t think I’d be interested, or they knew someone else would tell me about it so didn’t feel the need to extend a personal invite, or I was invited but the message apparently got lost… There are any number of realities (including the person actually not liking me and not wanting me to be at their event) which I’m able to ask about and decide how to address. At least if they tell me I’m not invited, I can work towards accepting that reality, or try to mend our relationship rather than powerlessly worrying that it might be true and do nothing but feel badly. I can acknowledge my feeling is due to a specific issue and stop feeding into a general story about all of my friends disliking me. I am empowered to break the cycle.

As a general rule, when I’ve examined what I’m needing or wanting from others, I try to turn it around and action toward fulfilling my own needs. This gets what I want out there in motion. It creates opportunities for others to rise to the occasion of helping me get what I need. In a situation like the one I’ve been writing about, instead of expecting others to invite me out, I begin to reach out to people I’d like to see and invite them out. This sets a new ball in motion and strengthens my practice of advocating for myself.

Of course there are situations I feel the need to address specifically. In these cases I’ll approach the person I feel snubbed by and ask if there’s anything unsaid between us, confessing that I am feeling excluded by them, and seeing if there’s a reason or something underlying I can address with them. It’s humbling to do this work, but it gives great insight into others, into myself, and more often than not it helps repair or even better a relationship that might be beginning to fray. It’s a good exercise in empathy too. As my process begins with me looking into myself and empathizing with my own struggling needs, I learn to create more space for others’ reasoning and to open myself up to empathizing with someone else’s struggles should they become apparent in the process.

These examinations give me autonomy. I practice being actively responsible for caring for myself and my relations. I learn to pause and process my feelings, and to move on from my fears armed with new information and potential actions. I gain control over my narrative and can choose to respectfully go after what I want, rather than waiting in the wings for everyone else to feed perfectly into my ego, read my mind, or catering to my invisible will and judgemental interpretations of their actions or lives. I practice letting go of judgement. I’d say that letting go of judgement is one of the most powerful parts of beginning this work in the first place.

I much prefer feeling my feelings (whatever they may be) and moving through them, than being stuck fearing the answer to a question I’m too chicken to ask, and thereby letting my fear be the only answer I believe and entertain. There have been times when I’ve asked questions and gotten aggression or a refusal to engage with me back. That’s good information too, that’s where I’ve learned to give others space and not take their behavior personally, time to let it go and move on to spaces I feel less strife within. It’s not important that everybody likes me, or that I get to explain myself to every person who knows me, or that everyone even has to care about seeing me clearly on my own terms. The reality is that everyone will not. Other people are locked into their own stories and are living their own lives and I cannot read minds. I’m not ethically or behaviorally even interested in being compatible with all other human beings and the ways in which they act.

Letting go of judgement can also mean just letting go.

Proper asking. I’ll bet this approach leads to better conversations most of the time…

We may have unlimited resources for love and compassion in our hearts, however we also have limited amounts of time and energy in our lives. Decisions must be made. I advocate for the things I need for myself, and that includes behaving in ways which allow others to maintain interest in me (most of the time). That means learning to approach people I value in different ways over time, learning new behaviors and cultivating better coping techniques as we each grow and change. This is growing up. This is evolution. This is advocating for life, relationships, love, friendship, playtime, and all the connection we want to find under the Sun. I am responsible for my own evolution, and by evolving I have the opportunity to become a more happy version of myself.

Play On My Friends,
~ Creature

Please support my work on Patreon, or for one time: Support the Artist or email me.
~Thank you.

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