The March of Days

Photo by Mélissa Kooyomjian Kemp (@CapturedExposure on instagram). I am performing as “Sirius Black”.

A Thing That Left-Handed People Do.

By Creature Karin Webb

Every day there is a thing that left-handed people do
That women and intersex people also do
That trans and nonbinary people do
That LGB and Aces do
That People of Color do
Immigrants/ex-pats do it too
Foriegners, non-english speakers, and tourists do
That by definition the artists do
There is a thing that kinksters do
And people with disabilities do
That those with a history of sexual assault do
That environmentalists and naturalists do
Radicals do it
Non-christians in this country do
And poor people do it too.

Each day left-handed people translate
The world around us
Into other-sided actions and movements.
We edit instructions
Foolproof plans, and
Jury-rig instruments of use
For our survival.
We do this in order to move through the paths organized by society,
Because divergences have been dis-included
From inception.
Us sinister sorts carry within our minds a hidden mirror
With which to reflect upon instructions
Make sense of structural designs
Not intended for our gifted bodies.
From these translations
Calculations, and
Creative recipes to overcome the traps,
The dangerous reality of moving through space with the wrong foot forward,
Is built an expanded repertoire
Thicker dictionary of understanding
A fattened Grimoire
Authored by the perverts of society.

What we don’t do well is speak of our translations.
So used to the daily practice of counter articulation,
And underground arithmetic for momentum,
We take our inner maths for granted young
Proof pages slipping away silent and unseen.

I do not know the equations of a woman whose skin is dark as soil,
Nor the immigrant’s path and plight
I’m unfamiliar with a Buddhist’s workarounds, or
Those of the boy bound to a mechanized chair.
I’m sure there are crossovers in our notes—
Equations we each work and rework to similar and differing ends.
Still, each of our fun-house mirrored minds
Reveal paths which are hidden to others
On our journeys through to the end.

I think
What is Magic
If not the translation of my desire into steps that can make it so
Against the odds of design?
What is Magic
If not my very survival
In the face of domineering organisms
Suited up in structural normalcy
Armed and organized to erase me?
What is Magic
If not One’s Nature against a system of oppressors
Who would sleep easier
Should marginalized definitions be scattered to the wind
Walled away
Buried deep
Forgotten
Like our bodies?

Dominance as a paradigm is a thing to fear,
A sickness some host in spades
And others yearn for in their ignorance.
Comfort, a parasite,
Masticates its way through vibrant and creative unconscious
Rendering the mind a wasteland of right and wrong,
Black and white,
Right or left,
Mal de tête du moins conscient,
A brain left blind
To multiverse realities around and in between.

Social ease inoculates
Against knowledge of The Ways
Practiced by a wholly connected and
Diversely fluent
Nature.

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thank you.

To Bloom Upon a Vine

Photo by Yellow.Cat

Should consciousness be proclaimed the penalty for living a human life, I was born a believer.

On a macro level I am not happy. Articulating such things feels like screaming into a darkness, which will reach into my open mouth and consume me. I don’t know what needs to change, where to go, nor what to do. My hopes feel like an illness to me. I need to stop being what I am not, though I know no true place in this world for one who gets up everyday to think, research, and make art.

I realize I’ve been too close with my heart. I’ve been cocooning. Funny how the oncoming Winter should be the time I awaken to this dead limb of mine, instead of noting its unresponsive weight in the high of summer. I’m not sure what to do about it. It’s not as simple as cutting.

To approach those who bring me joy is a risk. I’ve been closed off to it for a while. I’m controlling of my environment, unwilling to move past these four walls, afraid to enjoy anyone lest they come with a price tag I am too poor to pay. Understandably my world has gotten smaller.

It’s not that I haven’t reached out here and again, tried to get closer with this person or another, tried to pick up old friendships within my new parameters of distance and circumstance. I’ve been heavy-hearted more than once, scratched my head when connection hasn’t come easy or declined to spark a flame. Throughout my stab at exchange though, I’ve been keeping my room too tidy. I help others organize their complex messes and knots, teasing my fellows’ human tangles out. I’ve made myself smaller, ignored my own needing. I’m feeling less dimensional.

In some ways, this makes sense. I am not the same person I was 20, 10, even 5 years ago; I’m not considering the same equations. I’ve traveled far, and wandered through circumstances many will never quite connect with me about, nor understand. I’m getting older, and with age comes new perspective and interests. I can’t expect to bring all of my friends with me.

Even in art. For most of my career I’ve performed many varied characters consistently, gender-bending my stage time away. I burlesqued and strutted my body before the audience, allowing them to see an unashamed, glorious, rouged-and-costumed version of me. I was confident on the outside, larger than my quiet insides. I had good and many friends with whom I shared this form of play. It’s a different journey I’m on these days. I’m transitioning my actual self, which replaces the place of my characters—those spirits I spent my first 40 years slipping into and out of again. I’m grateful for the years I had, flitting in and out of the bodies I could do something with for a moment. Character work allowed me minutes of release into something unnamed in my personal within, something I didn’t know how to claim more openly. Persona.

Current changes amount to a steadying internal strength—sweet and strange in melody. The ground I stand on these days is mostly without stage lights or an audience to explain my raison d’être. I’m quietly picking my way from the glorious, stage-painted outside to a joyful inside: complex, and dark at times. I am enacting a deeper, more vulnerable, discovery. Person.

Of course the art I make has shifted. I’ve always asked my audience to interact with me, share in play, and make grand gestures toward liberation. Recently I want our connection smaller and more intimate. Audiences are often comprised of one person, and these conspirators clap more quietly in a more personal way—still onward toward liberation.

I’ve been keeping my nose too clean (in truth, a concern I’ve had my whole life). I’m worried I don’t know how to make a proper mess any longer, to find the things that are bigger than my body and throw them about the room effectively. Can anyone see the subtle medium I am exploring? As I open up and agitate within the personal arena responsibly, how do I package this artistic state?

Perhaps I fear true intimacy. I thrive in deep moments with individuals (I suspect many of you know this). However, intimacy which extends beyond a minute, an hour, a scattering of days, I do not know what that creature might be. Do I want it?

In my youth I loved love, and the fairy tale of eternal relationships were unquestioned as my heart embraced this lover and the next, in full belief of forever. Years passed, and older, I started pulling away from the stories. I better understood others’ struggle with connectivity. I learned the people I loved were not always just like me, and gained a better feel for compatibility. I stood up for myself when the going was rough, and became a better (maybe just differently coping) version of myself. My heart still held on, but with boundaries and edges that had not been as cutting before. Love had a distance.

Lately my heart enjoys strings unattached—I might say I emphatically cut strings which try to tie me down (with very few exceptions). I do not want a fairy tale. I do not want a negotiated push and pull, bringing forth the inevitable self-repression I excel at, nor to do work when I don’t feel my companion busying themselves equally in the endeavor with me.

Clients are wonderful, yet I don’t only want clients. This form of relationship has taught me how beautiful mutual respect, observed boundaries, and actual value in exchange for my time and attention can be, and I’m grateful. I thank my subs and cohorts for being good people with priorities and privileges who effort to appreciate and feed my loving. It’s been defining, healing, and I’ve learned many, many things.

My Primary has always been my creative mind; I don’t know that this will ever change. I want to love people and be loved. I don’t want to be coerced, or for expectation to creep up the sides of my body and crowd my space. While I welcome critique, I won’t tolerate challenge to my being. I desire appreciation for the things I am, and think my love, my support, my heart, my mind, and my body are worth this.

I want to move forward fearlessly and without the mask of my characters emboldening me. I want to re-find my path in the great experiment called life, on terms which are mine. I desperately wish to survive this life gracefully, gaining wealth from my efforts (with additional to share). I want to coexist, teach, love, and learn from the place where I stand—to bloom—and I want (with less struggle of conscience) to lovingly, and loved, be.

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thank you.

The Many Faces of Bondage

The first book I have work published in!

Tonight I will be performing in Troy, NY at the Berlin, 7-9pm, for the book release party of “The Ultimate Guide to Bondage” by Mistress Couple (Cleis Press). I’m really excited to participate in this event and celebrate my friend’s first book. It is also the first book a contribution of mine has been published in! I’ll probably buy a bunch of copies to sell, so if you’re interested in getting one directly from me, let me know and I’ll put an order in.

What I love about this book is that it’s not only (or even primarily) about rope. Mistress Couple takes the reader on a trip through history, various cultures, and different modes of bondage to explore and celebrate the theme. “The Ultimate Guide to Bondage” offers tutorials in each subject, and includes a number of stories shared by BDSM practitioners about their own experiences with each type of “B” in BDSM. The story I authored is a retelling of my first time in predicament bondage. It was fun, nerve wracking, it tested my limits, and ultimately led to a better understanding of myself… I’ll leave it there for now. You’ll have to pick the book up to read the rest.

Bondage is rope, bondage is relational, bondage is fashion, bondage is a personal challenge, bondage is a choice, an agreement, a sexual preference, even spiritually awakening. Bondage is so much more than the act of doing “the rope and handcuff thing”. It is pleasure, pain, and the angst we continue to get mired in, learn from, and struggle against as we grow. Bondage is life. “The Ultimate guide to Bondage” brings dimension to the scope and variety of ways one can explore their interest in this deep, ultimately primal, subject.

I hope you check the book out, and please do contact me if you’d like to buy a copy directly. I’ll even sign it if you wish.

Play On My Friends,
~ Creature

This writing takes time, research, and consideration. It is my art.
Please visit my Patreon, offer one time Support or email me for other options. Thanks.

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