My Recent Art = Your Fault (The Harry Potter Dirty Nipple Edition)

My rendition of Sirius Black recently caused waves of “titillation”…

Apparently my nipples alone can crash the whole damn system.

My body has been censored my entire life. Since age 7 I’ve been keenly aware of this weaponized female body of mine, and 33 years later I’m still being told to cover up, or else. My body is dangerous, inappropriate, not-masculine-enough-to-be-looked-upon-nude, yet too-feminine-to-be-left-in-peace-without-commentary. As FemBoyCreature my body is clearly meant to be made money off of — to shave, cover up, costume, and prettify in order to sell tickets, please. My actions against this mandate are absolutely battle strategy depicting dominant ownership of this body I like to think of as “mine”.

I don’t “play along” very well. My creative mind is disinterested in doing what’s appropriate over what I find to be playful and effective. I have more than once been erased from the historical record which social media keeps via photographs and video clips. I prefer to continue on my merry way followed by those who actually want to make meaningful change and understand that nothing ever shifted by pleasing the forces that be. Especially aesthetically, and especially concerning equality.

I performed twice this past week as Sirius Black from Harry Potter, in a HP themed show. My performance was a pretty traditional striptease. I transformed from Sirius, the man, into a dog by the end of the act — Sirius’s animagus form, Padfoot.

I didn’t wear pasties in my act.

This choice, apparently, broke someone.

This choice, apparently, made people wonder about whether the venue could lose its liquor license.

This choice, apparently, had some audience members uttering, “That’s awesome, soooo illegal, but AWESOME!”, under their breath while watching.

This choice, apparently, made such waves that for the four days between shows I couldn’t get a straight answer from my producers or anyone at the venue about whether I would be able to do my second show the same way. At the last minute before show call, I was made to submit an artistic statement about the choice to not wear pasties in order for there to be an unadulterated second performance. What male performer, may I ask, has been asked to do the same while performing topless in Cambridge, MA?

I hope my nipples can crash the whole damn system… I’d love to create my art as it occurs to me to make, and not deal with drama surrounding its presentation.

My Patrons are the people who helped me make this piece of art, and they are helping me create my next. For my next performance I’m playing “Anonymous”. It’s a benefit show fundraising for sex workers called “Herstory“,  and the theme of the show is artists playing historical Femme characters. My inspiration for this piece resonated in the well known words of Virginia Woolf, “For most of history, Anonymous was a woman.” So I shall perform my piece in honor of the unnamed women and minorities who have been my ladder in this lifetime.

My Patrons have been sent a video of my Sirius Black performance. If you would like to be a patron of my work and receive videos, backstage glimpses, and the occasional writing which I don’t publicly share, please visit my Patreon Campaign and contribute. I post up to 6 times a month, and you can cap your donation if you need to. Thank you for your consideration — and a huge thank you to those of you reading who are already a part of my artistic funding team!

This past month I made a mask, hand painted temporary tattoos, and whipped up costume pieces, I cut my wig, trimmed down some new lace facial hair, and spent a tiny fortune on all the little pieces that go into playing this character effectively on stage, I choreographed, filled out paperwork, and I showed up to my day-long tech rehearsal on time.

I’ve performed bare-ass naked on Oberon’s stage before, pastie-less a number of times, and created art which has brought up way more contentious issues than the female nipple. This was the artist statement I submitted in order to perform the second show sans pasties:

I was just now forwarded your letter to the producers of the Potter Prom asking for my thoughts on the pastie issue. I am sending you what I replied to them with. I had also forwarded an entire letter concerning this incident with this information on Monday, hoping you would receive it then. I hope this suffices, I do not wish to change my act tonight. Please reply directly to me if you can, I am on a bus on my way to Boston.

Thursday, June 21, 2018
Dear _____,

The following is cut and pasted from my letter to the venue which I sent on Monday:

The choice [not to wear pasties] is an artistic one. My performance in the Potter Prom is a gender bending and shapeshifting comment on the body. As a trans artist with breasts who frequently plays male characters, I was absolutely invoking the idea of the meaning of the naked breast and gender expectations; also from the perspective of a character who stands up for his rights, the rights of others, and who challenges the authorities and the laws he finds immoral.

It was never my intent to challenge [Venue] itself. My understanding of the venue was that because it had a theater license, the artistic choices held within a theatrical performance were allowed, nudity being a common form of free speech. If I was incorrect about this, I apologize, and ask that the venue let me know how it functions surrounding nudity so that I might not make the same mistake again.

I prefer not to wear pasties tonight. 

Please let me know directly if that is unacceptable.
~Creature/Karin Webb

Maybe I’m all out of fucks about my nipples being an issue in public… I’ve been fighting this fight forever, and I’m tired. I am the only artist in the cast not to have any publicity photos to share from our first night of performance — I don’t even know why, considering there were ample opportunities in my performance where my back was turned, my clothes were on, or I was posed in a manner which obscured my un-adorned breast points. If Cambridge, MA and artistic associates, in the year 2018, cannot figure out how to embrace the “whatever gendered nipple” on stage, I have very little hope for civilization at large.

Help me fund my art, and I will continue to challenge what mores I am able to simply by breathing and creating in the body I was born into.

After the second show a very excited audience member made their way up to me and shook my hand, while out tumbled the words, “Thank you so much! Thank you for putting my gender on stage! I never thought I’d see that, thank you!”. I replied, “Your welcome, it’s my gender too.”

Play On My Friends,
~ Creature

Please support my work on Patreon, or for one time: Support the Artist or email me.
~Thank you.

Burlesque

Photo by Rudy Aguilar

I am writing today laying on a fancy couch in a beautiful house in New Orleans, tired from the Mardi Gras parade yesterday, and looking forward with exhausted trepidation to the big day tomorrow (Mardi Gras proper?). My friends hot tub and recover, and I write. I love this job of mine.

During this tour I made it to Boston for a Valentine’s Day show, and it was specifically requested that I perform my “Ropes” act. I’ve been performing it for 7+ years now, and I always think it’s funny when people want to see a piece I’ve done over and over — especially in a city where people know the range of my repertoire — but I guess signature acts are signature for a reason…

For your viewing pleasure, I submit to you a video from last October when I performed Ropes as a guest in the Seduction Sideshow’s Show. While I could have performed drag or clown or any number of pieces on Valentine’s Day this year, I’m glad my audience and producers have their favorites… Enjoy!

Play On My Friends,
~ Karin

If you like my blog, please check out my Patreon Page and support me. For one time donations click here: Support the Artist

~Thank you.

Adult Playground

Still from “NO SHAME”. Photo by Jennifer Bennett

I’m in the middle of an East Coast tour performing my solo show, NO SHAME, I’m appearing in a few other shows, and teaching workshops along the way to help pay for food, gas and expenses. Like this blog, my message across mediums is about finding and owning one’s self. NO SHAME is a shapeshifting half-hour event where I tackle stereotypes, the metamorphosis of one’s character and identity over time, what it’s like to be institutionally afraid to be out in the world, and the intersection of these experiences with the power of thought and the force one’s words. The piece is essentially about the will to be.

Today more than any time in my life I think, the words that we dare to use, artist’s messages from all over, having conversations about taboo subjects, and the willingness of individuals to claim their space and speak up against oppression, against repression, and against the narrowing of ideas into boxes easily manipulated and controlled by the elite (political and/or wealthy), are enormously important. We must feed ourselves, as we would be further starved by the system. Continuing to gather reliable and objective intelligence, community building through acknowledgement of need and actioning to provide, choosing observation and action over despair or overwhelm, cultivating openness to new and different POVs, and the use of questioning instead of attack: these are tools for change, vital in this historical moment we are sinking into like the swamp of sadness… We must move our blood. We must speak, exercise, be!

I am teaching workshops in kink skills — a smattering of rope classes, my “Radical Gender Theater” curriculum, and an intro to various types of kink play pertaining to sensation manipulation. I’ve had the pleasure of teaching groups as well as privates; the classes are meant to empower people to better communicate with one another, and help navigate through the vulnerability that desire requires through fun, curiosity, challenge, and skilled playfulness. This “adult playground” we have matured into having control over (our bodies, emotions, and minds), is a gift we get only one chance to live well within.

Human animals are capable of far more than we recognise or are taught. Having been enculturated as a female person, and eventually finding kink — rough body play, needles, bites, whip marks, and scratches — has proven to me over and over again that my body is resilient and capable of processing pain and healing from damaging activity in a way my perceived gender is institutionally protected from finding or knowing. Having been surrounded by the sensitivities and open expression of emotions, pains, fears, and lostness of those enculturated within the masculine lie proves to me too that us animals are whole underneath. It is the powers that be, not the world which would have us be lesser than our true potential strengths and understandings.

I love my art. I love my audience and my students. When I act out or speak up, I learn so much about what people see and feel in response. I want to be an affecting force. I want to help people reach their inner truths and desires against the powers that be. I want to exercise this animal body, this universal intellect, this natural heart to their purposes while I live.

Play On My Friends,
~ Karin

If you like my blog, please check out my Patreon Page and support me. For one time donations click here: Support the Artist

~Thank you.

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