A is for MY ASS

I have been on a short and intense performance tour all week, and have not had the time to write.  So this Friday I am totally being lazy, and in homage to a recent posting on my facebook wall about the burlesque community’s enjoyment of my ass, I figured I’d just leave you with these photos instead of a full blown blog article…  Enjoy:

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A photo from “The Slutcracker”, my butt is the one on the right. Photo by Hans Wendland

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My signature “Ropes” burlesque performance. Also featuring self-shibari! Photo by Hans Wendland

From my "Spoken Word Burlesque" piece. Photo by

From my “Spoken Word Burlesque” piece. Photo by Kristen Marie Photography

If you can't perform pieces where you make out with your friends, what CAN you do? Photo by

If you can’t choreograph pieces where you vampirically make out with your friends, what CAN you do? Photo by Hans Wendland

My "Goat Woman" performance piece created for the show "Revenge of the Robot Battle Nuns". Photo by Hans Wendland

“Goat Woman in Mourning” performance piece created for the show “Revenge of the Robot Battle Nuns”. Photo by Hans Wendland

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Photo still from the short film “Legitimate” by Izzy Lee

"Pink", my performnce ode to the Vagina! Photo by

“Pink”, my performance ode to the Vagina! Photo by Kristen Marie Photography

Bound in Boston is the epitome of community in Sexy Action...

It takes a community to mark a girl properly for performance ~ one of the few times I’ve gotten to showcase kink marks during a show.  Thank you Bound in Boston!

A bitter end for the woman who had it all, and used her wealth unkindly...

 A bitter end for the woman who had it all, and used her wealth unkindly…  My ass featured in a “Death Play” scene

The circles in the center of the bruised areas was made with a flat wooden paddle... Happy Birthday to me!

Happy Birthday to me!  What I sometimes like to have done to my ass when I have the time to heal between performances…

Photo by Zee

Tanned and bitten.  Purrrrrrfection.

To Breath and Being,
~ Karin

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~Thank you.

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